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Rio De Janeiro

It has certain fight between patient psychologist, where of a side the patient with its dream pulls of a side, using of defense mechanisms, and transforming the dream into a fancy in itself, and of the other the psychologist with its shrewdness and comment. Freud brings and it teaches in them through its workmanship that if became essential in the psychoanalysis area the importance of the dreams, when writes the Interpretation of the Dreams, sample that we finish carrying through our desires that we do not obtain to admit to want them, or many times we in such a way convergences in for desiring them them that the society in ‘ ‘ prohibit’ ‘ or it determines ‘ ‘ libidos’ ‘ , placing our moral values in first place, we restrain such desires we play and them in our the deeper and obscure abyss, the Unconscious one. When we obtain to leave a routine, a society that imposes on us, its acquisitions, dive through the dream in this abyss in search to carry through them, a search in satisfaction of our accomplishments, therefore the dreams are the only form of accomplishment of restrained desires conscientiousness. It is basic psychologist to understand such formation to it of the dreams and as its mechanisms of defense will be elaborated, as well as the principles of its had interpretation.

Urban Identities

Sofia, History, will be able to coexist Hilde perfectly, Literature, while each one to live its dimension. From the moment where one to take the place of the other, the Histriatermina. Ahead of this who guarantees in them that a Norwegian does not exist malucoescrevendo and playing of God with its, mine or our life? Who podenos to guarantee that we are not as Hilde or Sofia, personages of a History semfim, or with day and schedule marked for the reading of the last paragraph. What real? What he is imaginary? For we, do not matter if imagensque is being reflected in the great wall of the cave is imaginary oureais. We have that to have in mind, the certainty of that the chains that in the aprisionamdiante of this wall, are imaginary.

They do not exist, then they cannot in it withhold, we are free and to a step to see the Real, therefore what in she separates of it sonossas to them attitudes. If the reading of this unpretentious literature made to see this to it, stimulated or simply you made to reflect on its History, if you are Sofia or Hilde, we believe that both, History and Literature, can perfectly coexist. REFERENCES CHARTIER, Roger. The world as Representation. Studies Advanced, n 11, p.115-127. Jan.

/Abr. of 1991. GAARDER, Jostein. The world of Sofia: romance of the history of the philosophy. So Paulo: Company of the Letters, 1996. PESAVENTO, Sandra Jatahy. Relation between History and Literature eRepresentao of the Urban Identities in Brazil (century XIX and XX). In: RevistAnos 90, Porto Alegre, N. 4, December of 1995. P. 117.

So Paulo Janeiro

The modernismo properly said was a located phenomenon, over all in So Paulo and Rio De Janeiro, with a prolongation in Minas Gerais. In others it had manifestations parallel bars, as in Pernambuco, or of commitment, as in the Rio Grande Do Sul. is curious to notice that, even so the famous Week has occurred in So Paulo, the modernistas of Rio De Janeiro did not costumavam to go nor to have activities in So Paulo, while the natives of So Paulo frequented the River very and participated of its cultural life. The reason pparently is obvious, at that time Rio De Janeiro was the capital of the country and the cultural center par excellence, while So Paulo not yet passed under the villager aspect. River had much more important cultural equipment and was the place that consecrated.

According to Antonio Candido, who desired to receive the seal in literature, music, painting, theater needed to pass for the Carioca bolter. Some examples: Guillermo de Almeida arrived to live there, as well as Ribeiro Couto. Mario de Andrade liveed and worked there, in a similar way that Rubens Borba de Moraes. Oswald de Andrade went there always and there it had apartment, as the patron of Pablo the Prado. We can observe is clearly that today, everything changed and had certain inversion exactly. Of the cultural point of view, in century XX the proper matrix of So Paulo alone if defined with the solid fast increment of the university culture, of the spirit of inquiry in sciences, accurate how much natural and in such a way social. E, although the tumultuous Week and iconoclasta of 1922, never had in So Paulo, according to Candido, the touch of favour and imagination, the brightness of the literary and artistic bohemian, the spirit freedom that characterized Rio De Janeiro and gave the greater impression creativity.