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In the past the vast majority of artists used be very empirical; they practiced the technique of watercolor without having previously studied well. Almost everyone learned the technique of watercolor without knowing exactly that it was. However in practice were committed many errors that I think should know is paa all those devoted to watercolor painting: No procedure with pencils hard: to delineate use pencil type 2B or 4B if this depicting a human figure based on the picture, do not use the flash: flash photography, due to the nature of the light not given any depth to the work. Apart from that, the perspective points behind head, which tends to flatten the characteristics and expressions more. You have the model of the human figra look to one side: in this way you can have a good assessment of the tones of skin, lights and shadows that are natural and the natural expressions of the personality behind the scheme that is working. Balance the model of watercolor: try to place emphasis on the features of the people or the image and not to focus only on one, this may cause skew watercolor and allow the same important details to be omitted. Use a space with ample light: light allows the model of watercolor to carry with you all the features that alterations in the drawing, not arise especially by the effect of light in the shadow. Use the grey shadow to highlight: when you do not see the shadow, do not hesitate to add a totno more dark.

Add more strength and expression and gives more depth to your drawing. The limitation of your dark grey tones decreases the pitch range. So experiment with darker values. Do not use papers with brightness: the pallor in a watercolor drawing depends on the paper used. Using roles that are not too soft nor not too hard since the technique of watercolor is denoted much more, like the leftovers and the same traits. Draw half moons, not whole circles: the half moons give an appearance of greater reality to the drawings, primarily in the human figures and nature. Among the errors most common in watercolor, mainly in the production of grass or hair is to draw each leaf and every hair leaving a shattered wire effect.

Use the contrast instead. To avoid this, use soft feathers. Taking into account these errors commonly made in watercolor painting avoid give shades and contrasts that not give clarity to the art of painting. Be as natural as possible is the technical master of watercolor therefore any sketch or figure should promote be as smooth as possible.

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