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Family Samba

Music and the refro are adapted of a typical dance of the region of Arcoverde, known for samba of coconut, and the Reisado group of the Caraba? loaned name of the town that if points out in the agricultural zone of this region, as site of the City hall of Arcoverde. The coconut samba, second release of the group Lopes Sisters, is sung and danced since 1916, for the grandmothers of the Lopes family, and inherited for the master Ivo Lopes, today deceased also, that it made much success with its toadas benditos and. Of this Family of Brincantes the samba of coconut of the Lopes Sisters appeared, expression of joy of a warlike people, who obtained to inside create its space of the Arcoverdense community. The Mr. family. Laurentino Lopes was religious for tradition, livened up the nights of novena of the Chapel of Is Sebastio, today First of the Release.

Beyond of the Novenrio they livened up the samba of coconut that was a cultural inheritance of its grandfathers continued by its parents and, for consequence, for the new generations of the family. According to material of the Ministry of the Culture of Brazil, the heading Rockets of kings (or the war) makes aluso to the Folia de Reis or reisado, ritual catholic where musicians, singers, dancers, clowns and other folclricas figures, duly characterized according to legends and local traditions, organized under the leadership of the Captain of the Folia, visit the houses during the end of the December month until day 6 of January. The entoadas songs are always on religious subjects catholics, with exception of those touched in the traditional stops suppers, lunches or rest of the folies, where they happen livened up to parties with cantorias and regional typical dances, as catira, fashion of viola and cateret. However, in contrast Dos Reis of the tradition catholic, the intention of the folia is not to lead gifts, but to receive them from the owner of the house for filantrpicas purposes.

The Image

In short, to postar itself ahead of Macunama is to listen to the dialogue between distinct realities that, happen through the intertextuais and interdiscursivos elements, gifts in the 15 workmanship. What copy makes to arise the old notion Greek of mimese in order to justify it, which the proper author was inferred, not as arremedo of the Real and yes as imitation of the act of the divine creation of world since, by means of the art, all artist invests of being able demiurgical. Therefore, in the same way that a painter, when painting a rose, does not produce a simple copy, but the recria in accordance with the image printed in its proper soul in the form of what it feels and not of it sees, Mrio de Andrade reopens workmanships and legends in accordance with resignificando them its perception of world, what it moves away from the term copy and its significaes to it of redundant it. Deducing from there it is possible to understand because of Macunama to have if become one of the main pillars of Brazilian literature defying the model tax for the Europe, claiming this agreement in the formularization of that it goes beyond the literary discursividade. Official site: Keith Yamashita. In this direction in Macunama they drain the words of Foucaut, (FOUCAULT, 2002, P. 280); ' ' I would say, finally, that these authors had found a position ' ' transdiscursiva' ' ' ' , according to which, an author, in its workmanships, can very go beyond the restricted direction the pages, beyond the text, of book in itself and of the proper sort. So far how much it they had been Homero and Aristotle, or still Hipcrates in the field of the mathematical theory. An author can go so far in its literary work the point of this to start to function, as he more ahead called some lines of this citation; ' ' founders of discursividade' '.

Klick Globe Publishing

In the patriotic and proud speech of this personage of Barreto Rasp, if it evidences that the madness attributed to the personage is fruit of its illusions and dreams and represents for this, not it truth of the world, but the truth that if it exactly distinguishes from itself. If you have additional questions, you may want to visit James Woolsey. For Foucault: He is not ours to know that it is had to interrogate regarding what in them it seems ignorance, but yes this experience regarding what it knows on itself same and on what it could formulate with regard to proper itself (FOUCAULT, 1997, P. 83). The narrative follows and Major Quaresma believes that the solution for Brazil would have to come of a reform in the agriculturist. Then he changed himself for it I besiege Calmness. In little time the quality of the ground is looser for me, for the ants and for it would mesquinharia of the local politics.

When he lost everything that he invested, came back toward Rio De Janeiro in order to save the Native land of the danger represented for the Revolt of the Armed, that then appeared in the capital of the country. When finishing the Revolt of the Armed, Policarpo questions the cause which if dedicates to all its life: It would go to die, who knows if in that same night? that had made it of its life? It swims. It behind the mirage takes all to study the native land, for loving it and complains knot intention to contribute for its happiness and prosperity. She spends its youth in this, its virility also; now that it was in the oldness, as rewarded it to it as premiava it as decorated it? Killing it! what not pandegara, does not land on water? all this side of the existence that seems to run away a little to its necessary sadness, it does not capsize, it does not prove, it does not try. Since the eighteen years that the such patriotism absorbed to it and for it makes the nonsense to study uselessness (BARRETO, 1997. p.166). Ahead of this context, madness is presented as ‘ points Foucault; ‘ a period of training that precedes morte’ ‘ (Foucault, 1997, P. 183).

Therefore, the visualized social problems in Sad End of Policarpo Quaresma are the nationalism and the madness of the personage (that the real life of the author joins). What it was observed when reading and to analyze this romance they had been symbolic situations, ficcionais, that they represent the national questions, as well as concerns and reflections of the author, who appeared from its ‘ ‘ desajuste’ ‘ in the society where it lived.


Our emblematic personage already loaded in the name me the luck. Policarpo Quaresma was public officer of the Armory of the war, liveed with its sister, Adelaide Owner, was of few friends and kept the same habits has thirty years almost, known for all having to its fanatic and distinguished nationalism and for its pontualidade. Barreto rasp, described thus it: Quaresma was a small, lean man, that it used clips-nez, always looked at for low, but, when he fixed somebody or some thing, its eyes took, for detrs of the lenses, a strong brightness of penetration, and were as if it wanted to go to the soul of the person or the thing who fixed. (Idem, 2006, P. 08). The way as Barreto Rasp describes the personage, if it sufficiently approaches to Dom woollen Quixote Spot of Miguel Cervantes, both they are emblematic personages, gotten passionate for reading, are of certain form solitary, does not have woman, children and are of few friends, they search to construct an identity and they live at a time that already more does not exist, are incompreendidos and ridicularizados had the absurd ideas and if they disillusion when at last they discover that the real life is well different of that they idealized. Policarpo lives lost in its dreams and projects for largeness of the native land, total incapable to enxergar the dimensions and contradictions of the reality. In reason of these characteristics, already it was called Dom Brazilian Quixote.

She is a personage tragic ridicule and at the same time. Policarpo Quaresma since very early searchs construction of the identity of its country, did not have no predilection, loved the country entirely, idealized equal Brazil to the ones of the books that as much likes to read, however, the reality was well different of that its eyes of sonhador enxergara. … Policarpo was patriotic.